We
introduce the opening to the locket by the production credit, which was called
'cloud productions'. It was then complimented by G321 FILM as the secondary
title, which was the image of an old camera from black and white fading into
colour. We then added paired titles to introduce the film; with this it shows
production credit showing the audience on who was involved in the production of
the film. Whilst the production credits are shown, the non diegetic sound also
starts to play. We have decided to use the acoustic guitar, as it allows the
audience to identify the genre of the film being a romance film, so this would
be conventional toward what they would usually expect from a romance film. To
introduce the titles of the film we faded them in and out for about 2-3 second,
as this would allow the audience to identify the main characters of the film
and who else has been involved in the film. The non-diegetic sound continues to
play throughout the opening and then the audience are introduced the title of the
film ' The lost locket', The font used to create the Caslon bold italics in the
size 54, We thought this would a suitable size for this frame as this would
allow audience to identify what the film is called. The colour red which has
been used for the word 'locket' leaves an enigma code for the audience, as this
will be an important feature in which the audience will have to focus on as
this will a feature in which will be involved the protagonists relationship.
The words "The Lost" has been shown in the colour white in bold, as
this would represent calm and innocence's which would reflect on the main prop
which will be significant within the film. The title then fades out into
introducing the opening scene.
We then cut to the common room as the female protagonist enters, complementing with a long shot showing the location of the common room. The audience would be familiar with the setting as they may have experienced it before, so they will be able to relate to the protagonist as she enters this location. Along shot has been shown as the female protagonist makes her way to sit down on a table on her own, this allows the audience to continue to understand what is going from a different perspective. Then we cut to a table where its shows a group of people talking, allowing the audience to be introduced to new characters in the film. We then see a medium shot of the new character who will make friends with the female protagonist and will take her along with her and show her around the school. The non diegetic sound fades out and the dialogue starts between the friend and the female protagonist. However the background music is too loud making it difficult for the audience to hear what is being said. Then the two characters come out of the common room and the camera follows them out, this allows audience to follow with them so they can be apart of experience as well. We then have them going up the stairs and the cut to a high angle of them coming up the second set of stairs so it shows that the audience understand what is going as they follow them. Match action takes place as friends opens the door and we get a close up of the hand pushing the door open. The audience would be able to continue with understanding with what is going on. Then as the medium shot shows the two characters entering into the room, there is a slight jump cut as the friend invites her to come over and sit with her and so the female protagonist joins her. We then cut to show an introduction of the male protagonist as he enters the room takes a few glimpse at the female protagonist, and the female protagonist does the same and we are shown by the cut in the scene. This meets the conventions of a romance film as it starts to show the connections between these two characters, and leaves an enigma code for the audience so that they can continue to watch the film to find out what will happen between these two characters. A two shot has been shown as the friend and the female protagonist start to talk about the guy and the female protagonist take interest in him buy asking about him.
DIRECTORS COMMENTARY
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